Slow Burn
Smouldering slow minor blues in C — take your time and let every note cry.
Jam this track with live chords →50 professionally produced backing tracks for guitar — blues, jazz, rock, funk, soul, metal and more. Every track plays with a live chord chart and a fretboard that lights up the notes that fit, and a key stepper transposes any of them into your key without changing tempo — something a fixed-key video can never do. No install, no signup — press play below or jam any of them with the full experience in JamLab.
These 13 tracks stream right here. For the chord chart, the guided fretboard, and recording your take, open the track in JamLab.
Smouldering slow minor blues in C — take your time and let every note cry.
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Swaggering blues shuffle in E — open position, wide-open jam.
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Driving rock on an A–D–G vamp — crunchy major chords, arena energy.
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Heavy drop-D metal — palm-muted riffs and double-kick, aggressive and dark.
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Upbeat funk in E minor — tight rhythm guitar, punchy bass, clavinet stabs.
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Smooth neo-soul in A minor — lush Rhodes, mellow beat, spacious and dreamy.
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Jazz swing in C — walking upright bass, ride cymbal, comping piano, lots of chromatic motion.
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Warm bossa nova on an A minor vamp — nylon guitar, soft percussion, breezy and romantic.
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Energetic country two-step in F — bright acoustic strum, brushed snare, pedal steel.
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Laid-back reggae in A minor — offbeat skank, deep dub bass, spacious echo.
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Moody Spanish groove in A minor — walking pace, misty and cinematic.
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Ambient soundscape in A major — slow evolving pads, no drums, meditative and open.
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37 more tracks — from slow-burn ballads to prog metal — with isolated stems you can mix (mute the lead, boost the drums) inside JamLab Premium.
Celebratory gospel-rock vamp in C — organ, handclaps and call-and-response guitar.
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Cuban jazz in D minor — clave percussion, piano montuno and room to improvise.
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Raw down-tuned grunge in B♭ minor — a dirty riff, brooding and loud.
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Riff-led 70s hard rock in G — overdriven guitar, loose swaggering drums, and wide gaps to answer.
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Slow blues-rock shuffle in A minor — Hammond organ swells under a dirty guitar, wide open for bends.
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Crunchy 90s alternative rock in F — quiet-loud dynamics under a bright, melodic octave hook.
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Odd-meter progressive metal in C# minor — polyrhythmic riffing that opens into a clean breakdown.
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Syncopated psychedelic funk rock in E minor — clavinet stabs, wah-friendly vamp, deep in the pocket.
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Anthemic stadium rock in G minor — power chords, tom-heavy drums and room for a soaring lead.
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Bright surf rock in E major — spring-reverb guitar, rolling toms and fast melodic breaks.
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Patient post-rock in B minor — clean arpeggios and rolling toms building to a huge distorted crescendo.
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Southern rock in D minor — twin guitars, organ accents and a long turnaround to stretch over.
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Jazz fusion in F Lydian — electric piano, brass and a busy bass line under real harmonic depth.
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Modal jazz-rock in D Dorian — a hypnotic bass ostinato, electric piano and an exploratory vamp.
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Relaxed bossa nova in E minor — brushed drums, upright bass and elegant, shifting harmony.
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Tight funk in D Dorian — slap bass, horn punches, keys and a stripped-back breakdown vamp.
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Unhurried neo-soul in C minor — lush Rhodes, deep pocket drums and answering vocal motifs.
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Afrobeat in F# minor — interlocking guitars, brass stabs and warm bass over a long polyrhythmic groove.
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Reggae-rock in B minor — one-drop drums, deep bass and skanking guitar soaked in dub echo.
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Latin rock in E minor — congas, syncopated band hits and a montuno vamp with a Spanish edge.
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Flamenco fusion in A minor — rasgueado strums, hand percussion and a slow-burning tension.
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Cinematic ambient in F major — a restrained pulse under piano and strings that swell and fade.
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Driving synthwave in D minor — analog bass, gated drums and neon arpeggios under a retro hook.
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Shimmering 80s new wave in A minor — chorus guitar, driving bass, tom rolls and glassy synths.
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Urgent electronic post-punk in E minor — angular guitar, machine-tight bass, mechanical drums.
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Hypnotic deep house in B minor — warm sub bass, filtered chords and a slowly evolving modal space.
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Moody trip-hop in F minor — dusty breaks, deep bass and piano fragments drifting in the reverb.
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Hazy lo-fi hip-hop in D minor — dusty drums, warm Rhodes chords and mellow bass under tape hiss.
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Celtic rock in E minor — bodhran-style drums, fiddle motifs and the relentless drive of a reel.
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Nordic folk-rock in D minor — low drones, frame drums and wide guitars under a haunting motif.
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Country-rock in G major — chicken-picked Tele, pedal-steel swells and a rolling back-porch groove.
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Slow-burning Americana in A minor — rootsy acoustic strum, tremolo shimmer and a warm organ bed.
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Bluegrass fusion in B Dorian — fast flatpicked runs, upright bass and a breakdown built for speed.
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Reggaeton-rock in D minor — dembow drums, deep bass and distorted hooks that drop hard.
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Indian fusion in E Dorian — tabla-style percussion and a low drone under a cyclical groove.
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Middle Eastern rock in F minor — frame drums, a coiled ostinato and explosive choruses.
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Clean math-rock in E minor — tapped guitar motifs, shifting meters, and a wide, spacious bridge.
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